Six men and a horse in this St. Augustine, Florida, street view from around 1865. View full size. Left half of a glass-plate stereograph made by Samuel A. Cooley.

April 2, 1909. Children at play in the streets of New York, bundled against the cold. View full size. George Grantham Bain Collection. The tyke on the right reminds me of Edward Gorey's ill-fated tots. What calamity will befall her?

1901. Kitty Hawk, North Carolina. Wilbur Wright and glider just after landing. 4x5 dry-plate glass negative attributed to Orville Wright. View full size. The fogging of the negative at the bottom of the frame, combined with the skid marks in the sand from an earlier landing, create the illusion that the glider is still flying.

St. Michael's Episcopal Church in Charleston, South Carolina, in 1865 following bombardment of the city during the Civil War. From photographs of the Federal Navy and seaborne expeditions against the Atlantic Coast of the Confederacy, 1863-1865. View full size. Left half of a glass-plate stereograph negative.

April 1865. Charleston, South Carolina, after bombardment by the Federal Navy. View from roof of the Mills House, looking up Meeting Street at ruins of the Circular Church, damaged in an 1861 fire. View full size. This is the scaffolded building seen in last week's Civil War posts. From photographs of the Federal Navy and seaborne expeditions against the Atlantic Coast of the Confederacy, 1863-1865. Right half of a wet-plate glass negative stereograph. Of interest is the faint registration of clouds, which I've brought out with the Shadows & Highlights filters in Photoshop. Most daytime outdoor photography from the 19th century shows blank white skies, a common characteristic of the blue-sensitive emulsions used in the days before panchromatic black-and-white emulsions came into use.

January 1941. Band composed of guests at a trailer park in Sarasota, Florida. View full size. Medium-format safety negative by Marion Post Wolcott.

February 1941. Singing and music for agricultural workers' children in a new day nursery for the Okeechobee migratory labor camp at Belle Glade, Florida. Medium-format safety negative by Marion Post Wolcott. View full size.

December 1940. Construction workers gathered around the bunkhouse stove in the new craftsmen's barracks at Camp Blanding, Florida. View full size.
Medium-format safety negative by Marion Post Wolcott for the FSA.

Scipio, a St. Bernard acquired by Orville Wright in 1917. Photo taken between 1917 and 1928. View full size. 5x7 glass negative by Orville Wright.

June 1941. Sawmill and smokestack at the Greensboro Lumber Co. in Greensboro, Georgia. View full size. 35mm Kodachrome transparency by Jack Delano.

December 29, 1923. "Horse Christmas Party" at the Washington, D.C., Animal Rescue League. View full size. National Photo Company Collection.

December 1942. Train going over the hump at the Chicago & North Western Proviso Yard. View full size. 4x5 Kodachrome transparency by Jack Delano.

Pour this on your pancakes, it's that sweet: "Christmas Story" from 1923 or 1924. National Photo Company Collection. All together now: Awww.

November 1942. Columbia Steel at Geneva, Utah. Servicing one of the floodlights that turn night into day on the construction site of a new steel plant needed for the war effort. View full size. 4x5 Kodachrome transparency by Andreas Feininger.

April 1940. Shacktown in Dubuque, Iowa. Many residents keep a cow or a few chickens. View full size. 35mm nitrate negative by John Vachon for the FSA.